For those who haven’t seen my Twitter or Facebook stream the past few days, I purchased Derek Webb’s new album Stockholm Syndrome. Derek is one of the founding members of the popular CCM group Caedmon’s Call and a few years ago decided to branch out into a solo career. I’ve never really listened to Caedmon’s Call or his solo stuff, but I was intrigued so I figured I’d buy it. Especially considering it’s the first explicit release from Christian label INO.
Anyways, like most people, I do most of my listening while driving. So I burned the album to disc and popped it into the CD player this morning before heading to work. I’d already listened to some of the album at home, but driving to work it felt like Derek was giving me a kick in the teeth on two songs in particular – Freddie, Please and The Spirit vs. The Kick Drum.
Freddie, Please is blatantly directed at those who judge homosexuals (NOT homosexual behavior) and one line in particular really stood out to me:
“How could you do this to me?
How can you tell them you love me,
when you hate me?
After doing a little research I discovered this morning that the song is in reference to Fred Phelps, the pastor of Westboro Baptist Church. The guy who has become infamous for the “God hates fags” pickett signs and website and also for protesting soldiers’ funerals.
The other song, The Spirit vs. The Kick Drum is the one that really was a kick to the face. It’s in reference to a Rich Mullins quote where people would come up to Mullins after concerts and say, “Wow! The Holy Spirit really moved at that certain point in the song,” and Mullins would respond, “No actually, that’s where the kick drum and the bass came in.” Three lines in the song say all that needs to be said about the Christian subculture:
“I don’t want the Father; you know I want a vending machine.
I don’t want the Son; you know I want a jury of peers.
I don’t want the Spirit; you know I want a kickdrum.”
So, I can’t wait to get off work just so I can listen to more of the album.
