Just a few thoughts:

  1. Did OCC build a bike? Seriously – does that thing qualify as a motorcycle? Is it even street-legal? Sure, it looks cool, but it isn’t a motorcycle; its a toy from a video game. Even the Batcycle looks more like a bike than the thing OCC built.
  2. Jr.’s bike is alright, especially for a theme bike (inspired by a P-51 Mustang fighter plane). It reminds me of the stuff he designed back in the first couple American Chopper seasons, back when his bikes pushed the envelope of what a motorcycle could be, while still being rideable and attractive as bikes, like the Black Widow Bike.
  3. That being said, Jr.’s bike still looks like most of the other bikes he has built of late – they certainly are jaw-dropping, but they also look like they belong in a museum, not on a street. I’d be scared to have him design a bike for me, for fear that I’d be too scared to risk riding it around other vehicles and on our Louisiana roads, which, sadly, are not the best around.
  4. Also, it doesn’t look very comfortable. Not that I would want to ride cross-country on Jesse’s bike, but at least his bike looks comfortable enough to be a daily rider. I’m getting sore just looking at Jr.’s bike.
  5. Does Jesse James’ bike look similar to every other bike he’s ever built? Yep. But does it still look like a bike? Yep. Not only that – it looks rideable, it looks legal and it looks like something I wouldn’t be scared of getting a scratch or two on.

I was originally going to tweet this, but I don’t think I could keep it within 140 characters. Made In Stoke, Slash’s first live album since embarking on a solo career, came out last week and sounds AMAZING. The 21 track, 2 disc set covers Slash’s entire career, from Guns N’ Roses to Slash’s Snakepit to Velvet Revolver to his solo album from 2010. I’ve heard nothing but positive reviews from Slash’s 2010-2011 tour, and you can find plenty of videos on YouTube to back up those reviews, but for those of us who haven’t gotten the chance to see the live show yet, Made In Stoke is the next best thing. Having listened to it several times through now, I must say, this is the best I’ve heard Slash play in years, not to mention the musicians he has surrounded himself with are top notch. Myles Kennedy (Altar Bridge) on vocals, Bobby Schneck on rhythm guitar, Todd Kerns (Age of Electric, Sin City Sinners) on bass and Brent Fitz (Theory of A Deadman) on drums. Not that I have any problems with Slash’s past bandmates, but if he were playing with them then this wouldn’t really be a solo effort.

Anyways, back to Made In Stoke. Unlike most live albums, where an artist records multiple shows and picks the best tracks, Made In Stoke was recorded in one night in Slash’s hometown, Stoke-On-Trent, England. The last band I can think of that did that was The Black Crowes. That being said, Slash’s band sounds amazingly tight, as if they’ve been performing together for years. They obviously rehearsed to support Slash’s 2010 solo album, so I wasn’t expecting any problems with those songs, and seeing as how “Slither” is the only Velvet Revolver song represented, that was probably a walk in the park for the band. As for the Snakepit songs, I don’t know too many people who have even heard of Slash’s Snakepit (a highly underrated band Slash formed as a side project prior to leaving Guns), so I’m sure most will be pleased with how they sound. They sound great when compared to their studio counterparts, and hopefully will inspire fans to get the two Snakepit albums. Of course, what most people are wondering is how do the GN’R songs sound? How do they compare to the classic lineup of Axl, Slash, Duff, Izzy and Steven? How do they compare to Axl and his current band that he calls Guns N’ Roses? All I can say is this: I’ve never seen Guns N’ Roses (past or present incarnations) live, in person. I’ve never seen Velvet Revolver or Slash live, in person. All I can judge by is studio recordings, live recordings (GN’R released one in 1999), concert videos/DVD’s, TV performances and YouTube videos. In my opinion, the GN’R songs on Made In Stoke haven’t been performed this well since GN’R's 1988 live MTV special from The Ritz in New York, which is the best I have ever heard that lineup of Guns N’ Roses. And YES – I have seen and heard professional video footage of the current Guns N’ Roses lineup, performing classic GN’R songs –  and they sound good, even great (when Axl’s voice is holding up), but the renditions on Made In Stoke still sound better, and more like Guns N’ Roses, to my ears.

So, whether you’re a fan of the classic Guns N’ Roses, or just a fan of Slash, you need to get Made In Stoke.

Track Listing

  1. Been There Lately
  2. Nightrain
  3. Ghost
  4. Mean Bone
  5. Back From Cali
  6. Rocket Queen
  7. Civil War
  8. Nothing To Say
  9. Starlight
  10. Promise
  11. Doctor Alibi
  12. Speed Parade
  13. Watch This
  14. Beggars & Hangers On
  15. Patience
  16. Godfather Solo
  17. Sweet Child O’ Mine
  18. Slither
  19. By The Sword
  20. Mr. Brownstone
  21. Paradise City

Click here to purchase & download Made In Stoke in iTunes (samples available).
Click here to purchase & download Made In Stoke from the Amazon MP3 Store (samples available).
Click here to purchase the 2 CD edition of Made In Stoke from Amazon (samples available).
Click here to purchase the 2 CD/1 DVD special edition of Made In Stoke from Amazon (samples available).

Most of you know by now I listen to all kinds of music. From classic hymns to heavy metal and everything in between, if it’s good I’ll give it a chance. That being said, while I am a fan of many types of music and many different bands, most of what I listen to are singles or radio hits. There are only a handful of albums that I can say, without a doubt, I love from beginning to end. Slipknot’s Iowa is one of those albums. It is the heaviest, most brutal, most intense album I have ever heard, all while still managing to sound good. It is also a very cathartic album for me. If I’ve had a bad day at work, or if I’m dealing with some sort of anger, stress or sadness, I actually feel better after listening to Iowa, because on it, Slipknot expresses the darker emotions with such viciousness and ferocity, it feels as if they’re saying what I wish I could say.

Anyways, this year marks the 10th anniversary of Iowa’s release, and to celebrate, Slipknot is releasing a special 10th anniversary edition of Iowa on November 1, 2011. While there isn’t much new/unreleased material on the re-release for those of us who already own Iowa and the live DVD Disasterpieces, this release is a statement to just how good the album is, even 10 years later. I’ll still probably pick up a copy, if only for the CD version of Disasterpieces. So, for those interested, below are two videos concerning Iowa. The first features lead singer Corey Taylor talking about the album, and the second is the official trailer for the release.

P.S.
This is heavy metal, so the language is rated R.

 


Slipknot, circa 2001.

So, yesterday, the Rock and Roll Hall of Fame released their list of nominees for their class of 2012. Needless to say, there are some HUGE names on this list – but keep in mind, these are merely the nominees. To be inducted, you still have to be voted in. Based on years past, the official class of 2012 should be announced in January 2012. Anyways, here’s the list of nominees:

  • Beastie Boys
  • The Cure
  • Donovan
  • Eric B. & Rakim
  • Guns N’ Roses
  • Heart
  • Joan Jett and The Blackhearts
  • Freddie King
  • Laura Nyro
  • Red Hot Chili Peppers
  • Rufus with Chaka Khan
  • The Small Faces/The Faces
  • The Spinners
  • Donna Summer
  • War

As I stated above, there are some huge names on this list. But one nominee stands out above the rest – Guns N’ Roses. If they are voted in, this could lead to the moment fans worldwide have been waiting 15+ years for – a reunion of the classic Guns lineup. Or it could lead to a repeat of the Van Halen fiasco, which, coincidentally, a few former GN’R members experienced firsthand, as Slash explains in this video. Skip to 3:20 to hear the Hall of Fame stuff.

Long story short, exiled Van Halen members Sammy Hagar and Michael Anthony were the only members of Van Halen (past or present) to show up to the induction ceremony, forcing Velvet Revolver (who were originally scheduled to be part of the closing finale/all-star jam) to perform in place of Van Halen. Is that what GN’R fans have to look forward to, or will we see egos set aside, if only for one night?

One perk of having to drive 30 minutes to work and back is time to listen to podcasts and music. Mark Driscoll once spoke of redeeming your commute. I recently had a new head unit installed in my car which allows me to connect my iPhone, so now I have a plethora of choices available to me. Anyways, I thought I might share a few of the things I’ve been listening to lately. Some of these “redeem my commute”, and some are guilty pleasures – but I recommend them all.

Andy Stanley Leadership Podcast – For those who don’t know who he is, Andy Stanley is the founding & lead pastor of North Point Ministries, which is made up of a handful of churches in the Atlanta metroplex. He is also the son of longtime First Baptist Atlanta pastor, Charles Stanley. In my opinion, Andy Stanley is arguably the greatest leadership mind the Church has seen since the apostle Paul. I realize some will scoff at that statement, but the man knows his stuff. He knows what works and what doesn’t, and not only in “church world”, but outside the church as well. I have not worked for a church in nearly 3 years, yet this podcast aides me in being a better leader at my current job and amongst my friends and peers.

Redeemer Fellowship – Right now I’m in the middle of their series on 1 Timothy, Gospel Formation, being taught by Joe Thorn, and all I can say is AWESOMESAUCE. I’ve heard people say things like, “I’ve read that scripture 100 times and never saw it THAT way”, and this sermon series is like that. I’ve read through 1 Timothy hundreds of times, yet God is using Joe to reveal new things to me each time I listen. It’s not that those things weren’t there – I just wasn’t looking for them.

The White Horse Inn – This is a podcast recommended by Joe Thorn during his Gospel Formation series. Their tagline describes their mission simply enough: “Know what you believe and why you believe it.” Not content to stick to the old stalwart argument of “Because the Bible says so”, Michael Horton and others tackle various subjects and ask the tough questions, all while referring back to the Bible to see what scripture says.

Sojourn // Before the Throne – This isn’t a new album, but it is new to me. Beautiful harmonies, complex arrangements and theologically deep lyrics. What’s not to love? Oh, and did I mention this is from Sojourn Community Church in Louisville, Kentucky? Who says all worship music has to sound like Hillsong?

Skid Row // Subhuman Race – Another one from the “new to me” files, Subhuman Race is Skid Row’s third album, and their final album (to date) to feature Sebastian Bach on vocals. I got this after hearing Eddie Trunk rave about it on That Metal Show, and he was not joking – hands down, this is Skid Row’s best album. If all you know of Skid Row is 18 & Life or Youth Gone Wild, then you don’t know Skid Row. Released in 1995, Subhuman Race is the heaviest album in Skid Row’s catalog, and it makes me wonder, had they been this aggressive in their sound when they debuted, would they be more than a footnote in the history of metal?

Hank Williams III // Hillbilly Joker – So I thought this was a new album from Hank 3, but it’s not. Officially released by Curb Records in April 2011, this is actually an album Hank recorded for Curb in the early 2000′s called This Ain’t Country, which Curb deemed inappropriate for their label. So instead of letting Hank release it independently, they sat on it for the better part of a decade. To give you an idea of what the album sounds like, it’s a blend of Hank’s solo country work and his metal band Assjack. In other words, “this ain’t country.”

Bush // The Sea of Memories – After a near 10 year hiatus, Bush is back. We all know Gavin Rossdale has been active since Bush disbanded in 2002, and that he would always play hits from the Bush catalog, but it just seems that having him onstage in a band environment works better. I don’t know if it makes him a better performer or what, but I’ve seen videos from recent shows and it’s as if Bush never went away. The same goes for The Sea of Memories. It’s been 10 years since their last release, yet even with 2 new members in the band, it feels as if they’re picking up right where they left off in 2001.

Staind // Staind – I’ll be the first to admit, I love Aaron Lewis and Staind. Lewis’ lyrics seem to capture my thoughts and emotions better than most, and Staind’s music can be very cathartic for me. But with their last couple albums, Staind has been in a bit of a commercial rut it seems. Maybe they were trying to get more airplay, maybe they were going through a pop phase. With this album, however, the Staind from 10 years ago is back, and heavier than ever. In several songs they drift further away from post-grunge and more into metal territory than ever before, and lyrically, Aaron Lewis pulls no punches.

Anthrax // Worship Music – Last, but certainly not least, this is an album I’ve been listening to nonstop since I got it. Anthrax’s first album in 8 years, and the first with Joey Belladonna on vocals in 21 years, this is arguably their best album to date. If you like unrelenting, nonstop thrash metal, this album is for you. But don’t listen to it while driving – you may find yourself hitting triple digits on the speedometer.

For those who haven’t heard, Macho Man Randy Savage passed away yesterday morning. While an autopsy is scheduled for today, as of this posting, news outlets are reporting that Savage had a heart attack while driving, and subsequently lost control of his vehicle. His wife Lynn was with him, but only suffered minor injuries. All day long I’ve thought about what to write concerning his death, but I think the video below does better than any words. It is one of the greatest wrestling matches of all time – Randy Savage vs. Ricky Steamboat, for the Intercontinental Title, at Wrestlemania III.

Click here if you are unable to see the video.

In case you haven’t been paying attention, it’s Passion Week (the week leading up to Easter Sunday). Last Sunday was Palm Sunday – the day Christians celebrate Christ’s triumphal entry into Jerusalem, tomorrow is Maundy Thursday – the day we celebrate The Last Supper, Friday is Good Friday – commemorating the crucifixion and death of Christ, and Sunday is Easter – the day we celebrate Christ’s resurrection.

Coincidentally (or not), The Village Church released their latest worship album last month and the track In My Place fully encapsulates the story of Christ’s crucifixion and death, so I felt it would be appropriate to share the lyrics and a video in which Michael Bleecker (worship pastor @ The Village Church) explains the story behind the song and demonstrates how to play it.

In my place, He stood condemned
He Who knew no sin became sin for us
That we might become His righteousness

Bearing all my sin and shame
The punishment and blame
He conquered the grave
That we might become the heirs of grace

In my place, Jesus died
The spotless Lamb laid down His life
The wrath of God was satisfied
In my place, Jesus died

Nail pierced hands, bleeding side
His body bruised; my God crucified
A crown of thorns, dying cries
His flesh was torn; my God crucified

Hallelujah, what a Savior!

The more I see, the more I think Cowboys & Aliens is going to be the biggest (and maybe the best) movie of the year.

Most of my music reviews end up on Twitter, not here. But every once in awhile, an album comes along that is so good, 140 characters can’t do it justice. I just bought one such album – God of Victory, from The Village Church. Fans of Matt Chandler are no doubt already somewhat familiar with The Village, however, they aren’t as well known for their music department as they are for their teaching and preaching. I have a feeling that’s about to change. The Village is one of those churches that strive not only for musical excellence, but also theological excellence. In other words, they don’t sing songs just because they sound good – they sing songs that pull from and reaffirm scriptural truth, so that as you listen and sing along, you’re not just praising and worshiping God, you’re learning the Bible. One of the quickest ways to tick me off in church is to sing a song that ignores scripture in favor of a rhyme, or worse, mashes scriptures together, out of context, so that they make no sense theologically.

Anyways, back to the album at hand. If I were to compare it to anything, I’d say it has the lyrical sensibilities of Charlie Hall and Eddie Kirkland, with a little Hillsong United thrown in for familiarity (but, thankfully, without the “Whooaahhhhs!!”). The musical styles range from arena rock to singer-songwriter to urban, so this will feel familiar to anyone used to the artists I just named. That being said, God of Victory doesn’t sound anything like “U2 for church”. While I hear distinct influence from other artists, I also hear a unique interpretation on those influences. Like any true artist, the band at The Village has taken everything that has influenced and shaped them and meshed it with their own ideas to create something that is familiar, yet new. And as much as I’ve already raved about the lyrical content, it bears repeating – SCRIPTURE. Listening to this album, I feel my faith being strengthened. With songs that are catchy, easy to sing, well-written and full of scripture, God of Victory is a great album. Any worship pastor who is interested in teaching and edifying the church through song would do well to add this album to their repertoire. To put it another way – I bought the album based solely on what I heard in the samples and I just listened to it straight through in one sitting. I can’t remember the last time I did that with a new album.

To get the full story or to purchase God of Victory, click here.

As an old school WCW fan and a fan of Sting and the Police, I couldn’t help but smile when I saw this photo on Sting’s (the wrestler) website.

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